
Motta Sant’Anastasia — Where the Etna Landscape Begins

Motta Sant’Anastasia is a place where the history of the land and the history of its people have always been inseparable.
Long before there was a town, there was the rock.
Motta Sant’Anastasia grew around a remarkable volcanic formation rising from the plain south-west of Mount Etna. Known as a neck, the basaltic rock is the hardened remains of an ancient volcanic structure, left standing as the softer material around it was eroded away.
For centuries, the same rock that gives Motta its distinctive character also gave the place its importance. Rising above the surrounding plain, it offered a natural vantage point from which the landscape could be watched and defended.
People were living in the surrounding territory long before the medieval town took shape. Archaeological investigations in Contrada Ardizzone have documented a Greek presence dating from the fifth and fourth centuries BC, while Roman remains, including coins and a mosaic belonging to a villa in Contrada Acquarone, bear witness to the continued settlement of the area.
Even the name of the town seems to preserve something of its connection to the landscape. Motta is thought to be a pre-Roman name associated with a raised or prominent place, while Anastasia has been linked to a Greek-Byzantine term with a similar meaning. From the twelfth to the fourteenth century, the two names gradually became joined, alongside the growing devotion to Saint Anastasia, who became the town's patron saint.
The Normans
By the eleventh century, the rock of Motta had acquired a new importance.
The Normans were in the process of conquering Sicily, a campaign that began in 1061 and was completed in 1091. As they established their power across the island, they made use of strategic heights and existing centres of settlement to control the territory around them.
At Motta, the position was particularly valuable. From the summit of the rock, the entrance to the great plain of Catania could be watched from above.
Between 1070 and 1074, the great Norman dongione was built by order of Count Roger of Hauteville, Roger I of Sicily. Local historical sources traditionally describe it as having been built on the remains of an earlier Arab tower, although the earlier structure is not firmly documented.
The massive rectangular tower rises directly from the volcanic rock. Built as a defensive and military stronghold, it was designed to command the surrounding territory rather than simply to serve as a residence. Its walls, narrow defensive openings and elevated position made the natural rock itself part of the fortress.
The choice of place was therefore as important as the building itself.
The Normans did not create the strategic importance of Motta. They recognised it and built upon it.
In 1091, following the completion of the Norman conquest, the castle was granted to the newly established Diocese of Catania, which retained possession until the end of the thirteenth century.
By the middle of the twelfth century, Motta had become more than an isolated military tower. Around 1150, the Arab geographer al-Idrisi recorded Sant'Anastasia in his description of Sicily, locating it in relation to the sea, Lentini and the Simeto River. In a document dated 1168, the settlement is referred to as castrum Sancte Anastasie — evidence of a fortified settlement rather than merely a solitary tower.
The rock had become a town.
"Vineyards, once more widespread, have almost disappeared from the municipality. Only a handful remain today, including our own vineyards"

"Long before Motta became what it is today, people were already cultivating the volcanic ground beneath the rock, learning which parts of the land could support vines, olives and crops — and adapting their lives to the particular conditions created by Etna."
Over the following centuries, Motta passed through the hands of bishops, noble families and feudal lords.
In the fourteenth century, the castle became the residence of Enrico il Rosso, Count of Aidone, who lived there from 1355 to 1374. Later it passed through the hands of Rinaldo Perollo and Sancho Ruiz de Lihori before eventually becoming part of the possessions of the Aragonese crown.
In 1526, Antonio Moncada, Count of Adernò, acquired the territory of Motta and its castle for 1,210 ounces of gold. The Moncada family and their descendants retained the property for centuries.
By then, the castle's military importance had begun to fade. For roughly four centuries, the great tower was used primarily as a prison. Its purpose had changed, but its presence remained at the centre of the town.
In 1900, the castle was acquired by the municipality of Motta Sant'Anastasia. Today, the Norman dongione remains the defining monument of the old town — a physical reminder of the period when control of the rock meant control of the landscape around it.
Beyond the castle
For much of its early history, Motta was concentrated around the fortified rock. From the sixteenth century onwards, however, the settlement began to spread beyond its medieval core.
New neighbourhoods developed around the old town and the population gradually increased. By the end of the eighteenth century, Motta had become an established rural community rather than simply a fortified settlement.
In 1820, Motta Sant'Anastasia became an independent municipality.
Long before Motta became what it is today, people were already cultivating the volcanic ground beneath the rock, learning which parts of the land could support vines, olives and crops — and adapting their lives to the particular conditions created by Etna.


For generations, the land around Motta has been cultivated by farmers who learned to work within the particular conditions created by Etna. Today, the agricultural landscape is dominated by orange groves and olive trees, which remain an important part of both the countryside and the local economy.
Vineyards, once more widespread, have almost disappeared from the municipality. Only a handful remain today, including our own vineyards and those of a neighbouring producer. A small number of old vines can still be found elsewhere, but they are now remnants of a much larger agricultural tradition.
The olive trees tell a different story. They remain deeply rooted in the landscape, with old trees still standing among the fields and continuing a tradition that reaches back through generations.
This is part of what makes Motta special to us. We are not working in a landscape dominated by vineyards. We are working in a landscape where olives and citrus have remained, while viticulture has almost disappeared — and where the few vineyards that survive carry a connection to a much older history.
Stories

MOTTA SANT ANASTASIA
Motta Sant’Anastasia — Where the Etna Landscape Begins
N°2, CULTURE & TERROIR
Words THOMAS OPSTRUP
Photos THOMAS OPSTRUP

Motta Sant’Anastasia is a place where the history of the land and the history of its people have always been inseparable.
Long before there was a town, there was the rock.
Motta Sant’Anastasia grew around a remarkable volcanic formation rising from the plain south-west of Mount Etna. Known as a neck, the basaltic rock is the hardened remains of an ancient volcanic structure, left standing as the softer material around it was eroded away.
For centuries, the same rock that gives Motta its distinctive character also gave the place its importance. Rising above the surrounding plain, it offered a natural vantage point from which the landscape could be watched and defended.
People were living in the surrounding territory long before the medieval town took shape. Archaeological investigations in Contrada Ardizzone have documented a Greek presence dating from the fifth and fourth centuries BC, while Roman remains, including coins and a mosaic belonging to a villa in Contrada Acquarone, bear witness to the continued settlement of the area.
Even the name of the town seems to preserve something of its connection to the landscape. Motta is thought to be a pre-Roman name associated with a raised or prominent place, while Anastasia has been linked to a Greek-Byzantine term with a similar meaning. From the twelfth to the fourteenth century, the two names gradually became joined, alongside the growing devotion to Saint Anastasia, who became the town's patron saint.
The Normans
By the eleventh century, the rock of Motta had acquired a new importance.
The Normans were in the process of conquering Sicily, a campaign that began in 1061 and was completed in 1091. As they established their power across the island, they made use of strategic heights and existing centres of settlement to control the territory around them.
At Motta, the position was particularly valuable. From the summit of the rock, the entrance to the great plain of Catania could be watched from above.
Between 1070 and 1074, the great Norman dongione was built by order of Count Roger of Hauteville, Roger I of Sicily. Local historical sources traditionally describe it as having been built on the remains of an earlier Arab tower, although the earlier structure is not firmly documented.
The massive rectangular tower rises directly from the volcanic rock. Built as a defensive and military stronghold, it was designed to command the surrounding territory rather than simply to serve as a residence. Its walls, narrow defensive openings and elevated position made the natural rock itself part of the fortress.
The choice of place was therefore as important as the building itself.
The Normans did not create the strategic importance of Motta. They recognised it and built upon it.
In 1091, following the completion of the Norman conquest, the castle was granted to the newly established Diocese of Catania, which retained possession until the end of the thirteenth century.
By the middle of the twelfth century, Motta had become more than an isolated military tower. Around 1150, the Arab geographer al-Idrisi recorded Sant'Anastasia in his description of Sicily, locating it in relation to the sea, Lentini and the Simeto River. In a document dated 1168, the settlement is referred to as castrum Sancte Anastasie — evidence of a fortified settlement rather than merely a solitary tower.
The rock had become a town.
"Vineyards, once more widespread, have almost disappeared from the municipality. Only a handful remain today, including our own vineyards"

Over the following centuries, Motta passed through the hands of bishops, noble families and feudal lords.
In the fourteenth century, the castle became the residence of Enrico il Rosso, Count of Aidone, who lived there from 1355 to 1374. Later it passed through the hands of Rinaldo Perollo and Sancho Ruiz de Lihori before eventually becoming part of the possessions of the Aragonese crown.
In 1526, Antonio Moncada, Count of Adernò, acquired the territory of Motta and its castle for 1,210 ounces of gold. The Moncada family and their descendants retained the property for centuries.
By then, the castle's military importance had begun to fade. For roughly four centuries, the great tower was used primarily as a prison. Its purpose had changed, but its presence remained at the centre of the town.
In 1900, the castle was acquired by the municipality of Motta Sant'Anastasia. Today, the Norman dongione remains the defining monument of the old town — a physical reminder of the period when control of the rock meant control of the landscape around it.
Beyond the castle
For much of its early history, Motta was concentrated around the fortified rock. From the sixteenth century onwards, however, the settlement began to spread beyond its medieval core.
New neighbourhoods developed around the old town and the population gradually increased. By the end of the eighteenth century, Motta had become an established rural community rather than simply a fortified settlement.
In 1820, Motta Sant'Anastasia became an independent municipality.
Long before Motta became what it is today, people were already cultivating the volcanic ground beneath the rock, learning which parts of the land could support vines, olives and crops — and adapting their lives to the particular conditions created by Etna.
"Long before Motta became what it is today, people were already cultivating the volcanic ground beneath the rock, learning which parts of the land could support vines, olives and crops — and adapting their lives to the particular conditions created by Etna."

For generations, the land around Motta has been cultivated by farmers who learned to work within the particular conditions created by Etna. Today, the agricultural landscape is dominated by orange groves and olive trees, which remain an important part of both the countryside and the local economy.
Vineyards, once more widespread, have almost disappeared from the municipality. Only a handful remain today, including our own vineyards and those of a neighbouring producer. A small number of old vines can still be found elsewhere, but they are now remnants of a much larger agricultural tradition.
The olive trees tell a different story. They remain deeply rooted in the landscape, with old trees still standing among the fields and continuing a tradition that reaches back through generations.
This is part of what makes Motta special to us. We are not working in a landscape dominated by vineyards. We are working in a landscape where olives and citrus have remained, while viticulture has almost disappeared — and where the few vineyards that survive carry a connection to a much older history.

Stories